Although both proved necessary for seeing Hanabi’s growth and change through to the end, actions taken by them were noticeably divisive at times. Akane and Sanae of course are the main culprits, drawing the most contention due to their personalities. This does not imply all was good, however it is arguable that Kuzu indulged too heavily in the darkness at times. The pain of her longing stimulated the change necessary for her growth as a character. For Hanabi in particular this was important given she had no previous experience with love, nor an understanding of what she actually wanted.
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Through their interactions, Hanabi and Mugi learned how to handle their desire and the accompanying loneliness, along with feeling out their true desires. Hanabi and Mugi of course are the primary example, where both began by desiring the impossible and came together initially for mutual comfort. from a positive direction) on its head, Kuzu created a novel environment to explore personal change and its impact on love. By flipping the traditional romance approach to desire (i.e. The darkness/corruption here always served a purpose, both structuring Kuzu’s various relationships and providing the foundation for solving their various intricacies. Instead of running off the rails, however, Kuzu surprised me with how well it used its premise. Personally I started watching more out of curiosity than interest, wanting to know just how far the show would take these aspects, and if a breaking point existed. This show reveled in provocativeness, whether that be the selfish side of relationships or the graphic-yet realistic-sex scenes.
When I came into Kuzu I was under no illusions about the material. Given Kuzu’s such dark beginnings, it’s hard asking for a happier ending. For our two main characters, it’s no longer about the past, it’s about the future they wish to have. While still hard and painful letting go, with their relationship having served its purpose, both Hanabi and Mugi ended things to focus on their new desires.
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That storage room chat between them showcased this best, where free from fantasy both simply talked, no longer needing the comfort of each other’s touch. Having found what they wanted, there was no more need for the roleplay, or even to stay lovers. Naturally such a setup does not account for change, so when Hanabi and Mugi grew as characters, the reason for their relationship came into question. Their chance meeting and discovery of similar situations conceived of a synergistic relationship, where mutual loneliness, longing, and a desire for comfort were patched over through roleplay both craved physical attachment, and their relationship provided that. Both characters were initially lost and adrift, uncertain what they wanted, let alone how to obtain it. As Hanabi reflected on, her relationship with Mugi was originally one of “need”. Some may think it strange, but personally I found this bittersweet ending a fitting conclusion for both characters.
The stars this week though were of course Hanabi and Mugi, who did actually decide-mutually-to let their relationship go. After all the pain and struggle for the cast to reach this point, I think it was a well-deserved glimpse into the relief and happiness coming from the various resolutions reached over the course of the show. Every character surprisingly showed up-if only for a moment-from a proud and graceful Moka to a short haired Sanae and a noticeably tempered Akane.
Kuzu’s finale certainly was a low key affair, passing off any further conflict or drama for a period of tranquil self-reflection.